Conferencias

In just a few decades, postwar urban Europe has gone from being relatively homogenous to being a multi-ethnic and multicultural society. It seems that Europe's cultural community is struggling to come to terms with this new reality.

What are the consequences of these tensions for young and emerging artists in present-day Europe?
What are the global perspectives on Europe's changing identity?
And how do these tensions shape the context in which Art is created and consumed in Europe and beyond?

MC is an Amsterdam-based theater venue and workshop that has been at the forefront of developments in multicultural venues in Amsterdam with an explicit objective to represent the diversity of the multi-ethnic and multicultural city, MC appreciates the necessity and urgency to reflect on and address the tensions described above, and especially their implications for the Arts.

For this reason, MC is organizing the Conference New Realities : Art and Identity i Multicultural Europe for artists, professionals and students in theater, music and arts.

Desde ahora mismo puedes preinscribirte al II Congreso Internacional de Estudios Teatrales “In-disponer la escena, una reflexión sobre la puesta en escena ayer y hoy”, que se realizará del 16 al 18 de mayo de 2012 en Medellín – Colombia.



Este evento, organizado por la Facultad de Artes de la Universidad de Antioquia, pretende realizar una reflexión de las diferentes visiones de la puesta en escena desde la teoría, la práctica y la producción. Está dirigido a estudiantes, profesores, creadores, investigadores, productores y a todos aquellos que se dedican a los estudios de la puesta en escena.



El Congreso nace de la necesidad de generar un diálogo e intercambio de saberes que contribuyan a la apropiación social del conocimiento artístico y cultural. La puesta en escena como lugar del acontecimiento artístico, histórico y social, es el marco en que se inscribe este encuentro académico, que hace énfasis en las estancias y derivas de los discursos que la han acompañado.



Líneas de trabajo



El evento consta de ponencias centrales y de mesas correspondientes a las siguientes líneas de trabajo:



1. Teorías de la puesta en escena: Reconocer diferentes visiones que, desde la teoría, han movilizado las concepciones de puesta en escena.

2. Experiencias de puesta en escena: Reconocer diferentes visiones que, desde la experiencia creativa, han movilizado la práctica de poner en escena.

3. Estrategias de producción de espectáculos: Reconocer diferentes visiones que, desde la producción y gestión, han movilizado las estrategias de mercadeo del espectáculo.

4. Investigación creación en la puesta en escena: Reconocer diferentes visiones de investigar en la puesta en escena.



Para preinscribirte como asistente, debes:



1. Diligenciar el formulario de preinscripción en http://www.congresoestudiosteatrales.com.

2. Una vez llenes el formulario, te enviaremos un correo electrónico notificando tu preinscripción y los pasos a seguir para continuar con la inscripción al Congreso.



Para preinscribirte como ponente en las mesas de trabajo, debes:



1. Diligenciar el formulario de preinscripción como ponente en http://www.congresoestudiosteatrales.com.

2. Llenar el formulario, en el que deberás incluir un resumen de tu ponencia (máximo una cuartilla).

3. Adjuntar tu hoja de vida en el mismo formulario.

4. Las preinscripciones se recibirán hasta el 20 de diciembre de 2012.



Valor de la inscripción como asistente:

Público general: $200.000

Docentes y estudiantes $150.000



Valor de la inscripción como ponente (una vez el comité académico haya aceptado la ponencia): $100.000.





Preinscripciones e información general a través de la página web http://www.congresoestudiosteatrales.com

PARTICIPANTS
The program is designed for actors, dancers, actors of physical theatre, contemporary circus performers, choreographers and directors - performing arts practitioners with professional stage experience working in various genres, techniques and styles - interested to find new international network opportunities and collaborators.

PROGRAMME
The programme includes intensive practical training, lectures and discussions guided by the Russian theatre director and teacher Sergei Ostrenko.
Participants will rehearse the fragments of Shakespeare's plays and explore Biomechanics as the effective multidimensional approach to actor's work on the role, the powerful tool and inspiration source in creation of contemporary theatre performances.

The Lab offers a wonderful opportunity to explore the principles of Theatre Biomechanics as the psycho-physical approach in contemporary performer’s training and its application to practical work - rehearsal process, performance and teaching.

Participants will learn one of the classical Etudes of Biomechanics.

The workshop language is English.

The Lab opens the door towards the new collaboration project in Russia in autumn 2012 - the six-week period of performance creation in a Russian repertory theatre together with Russian actors and performers from different countries!

REGISTRATION
To apply for participation, candidates should send CV/résumé with photo and a cover
letter stating the Lab dates to

Participation fee:
675 EUR if payment is made before May 4th.
(750 EUR if payment is made after May 4th).
The fee covers participation on all events of the Lab programme.

The Lab will take place in Massa Carrara, the town in Tuscany Region near the Mediterranean Sea.
The event is organized by IUGTE and ArtUniverse with the support of A.B.I.T. Academy Armata Brancaleone - International Theatre Academy – Massa Carrara, Italy.
The nearest international airport is Aeroporto Galileo Galilei located in Pisa, Italy. From the airport there is a train to Massa Carrara.
The organizers can provide information on accommodation options.

The program is designed for actors, dancers, actors of physical theatre, contemporary circus performers, choreographers and directors - performing arts practitioners with professional stage experience working in various genres, techniques and styles - interested to find new international network opportunities and collaborators.

PROGRAMME
The programme includes intensive practical training, lectures and discussions guided by the Russian theatre director and teacher Sergei Ostrenko.
Participants will rehearse the fragments of Shakespeare's plays and explore Biomechanics as the effective multidimensional approach to actor's work on the role, the powerful tool and inspiration source in creation of contemporary theatre performances.

The Lab offers a wonderful opportunity to explore the principles of Theatre Biomechanics as the psycho-physical approach in contemporary performer’s training and its application to practical work - rehearsal process, performance and teaching.

Participants will learn one of the classical Etudes of Biomechanics.

The workshop language is English.

The Lab opens the door towards the new collaboration project in Russia in autumn 2012 - the six-week period of performance creation in a Russian repertory theatre together with Russian actors and performers from different countries!

REGISTRATION

To apply for participation, candidates should send CV/résumé with photo and a cover
letter stating the Lab dates to

Participation fee:
575 EUR if payment is made before May 4th - early reduced registration fee.
(650 EUR if payment is made after May 4th).
The fee covers participation on all events of the Lab programme.

IUGTE can help the participants to organize accommodation and meals in Leitring bei Leibnitz. Please contact us for more details.

The official day of arrival is Sunday, July 1st, 2012.
The day of departure is Saturday, July 7th, 2012.